![]() The setting is crucial, and fictional worlds, which are open by nature, lend themselves well to exploration and description and can always be enlarged or enhanced. The narrative trope of an initiatory quest is easy to duplicate in successive episodes that organize players’ progress. Several factors explain this convergence between role-playing games and the fantasy genre: They include Stormbringer (1981) and Elric! (1993), both based on novels by Michael Moorcock, as well as others drawn directly from Tolkien ( Middle-earth Role Playing, 1984), and several variations on Conan, since 1985. Games inspired by books are also worth mentioning, as they represent a significant portion of the sector. But most LARP events take place on a smaller scale. The largest annual events, like England’s iconic The Gathering, involve thousands of people. Their task might be to prepare for and act out an attack, for example. In this iteration, participants physically incarnate their character over the course of a costumed weekend in an outdoor space reserved for players. Born in the 1980s, it didn’t really take off until the 1990s. At the same time, the context to be recreated shifted towards imaginary worlds that needed to be precisely portrayed in myriad illustrated manuals describing the creatures, cities, weapons and more.įinally, Live Action Role Playing (LARP) is yet another facet of RPG practice. They made the crucial decision to switch from embodying an entire army to embodying a single character, which made the outcome more personal. simulations of historical or alternative battles fought with miniature armies spread out on large tabletop “boards.” In the mid-1960s, some fans who were deeply affected by Tolkien’s founding work, Lord of the Rings, wanted to extend their experience of immersion in a magical world. ![]() That’s because although RPG are now strongly associated with fantasy genre, their roots actually lie in wargames, i.e.
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